Shooting at cloudy/ dripping rain conditions with studio flashes on location is NOT easy even for PROs.
Watch production process, technical details, tips for models and photographers – how to makes GREAT photos and get published!
Lead Photographer: Anton Oparin
Assisting Photographer: Tommy Torres
Video: Dani Ynad
Models: Brittney Catherine Venice, Deiana Galea
Swimsuits/Resortwear: Sauvage, Caitlin Kelly, Aguaclara, Cia Maritima, Lybethras
Eyewear: Karen Walker
Special Thank you for Boat owner/Captain: John Petrozza
Copyright © 2014
FREE Photography tips and tricks, advice and help for beginners and advance photographers. Demonstrations How-to make not just good photos, but GREAT photos. Fashion/Glamour/Runway photography tutorials and documentaries from professional photo shoots with well known fashion photographer Anton Oparin.
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ah ah ah you see it's little ways here so we're almost in the oceans hello I meant an opera fashion photographer and we on Staten Island today we're going to shoot swimsuit fashion editorial in a big boat if I get two beautiful models over there and we're going to show you how to do this even like whether not looks like very sunny and tropical stay with us and watches and fashion photography Channel alright looks like we going out from the second shot I already get a decent exposure in the face and also not over expose the background so aperture 5 200 so when you get flash you need to fix the aperture number so if you're not moving the flash in my same distance so the aperture is your guide and you can play with the shutter speed up and down to get the exposure of the back in a normal position so it's how we walk manual mode with the flash so because for the flash most important how much power in the distance right and a certain temperature when you fix the distance and this is your key alright let me see what we get beautiful nice wind and here and a beautiful beautiful girl right yes that's great lovely and you on the boat and feel like you know you get yes very nice great one more we don't face to me more yeah that's good it was I sneaked up this is great so we're making the first we're making the first set looks fine so we'll have to choose swimsuit and change little position so we presume like we get one shot in this position you have to keep going for you toriel so more different positions going straight there a little bit more so it's very comfortable to walk in a boat which get will get more space for the photographer so again a roof doesn't matter of the weather so we still shooting and we're doing grease or we just stood in the aperture 5.6 right now and 400 iso beautiful guy i love the face yes nice you just close it like I want to feel make a few so you relax just toes those yeah that's it lovely I want to see how that hand best lovely yes a little bit more sweetness your shoulders to us yeah that's great my more face up a little bit so yeah and mmm intrigue intrigue that's lovely one more close-up uh-huh I know you see great you see I'm watching my beep so it's deep really so I'm shooting like it's less than two seconds we're talking about the feelings of the model and the model get an eye contact with the camera happy wife boom and feel like you know charm and intrigue and everything like this and photographer get something to walk around right after every click every three seconds quick change quick change quick change you're gonna give it a give you like variety little bit later feel great let's shoot again yeah it's beautiful yeah space up a little bit great yes but I want to see seems to you same time don't cover swimsuit much yeah that's great lovely nice and fit on the door I can shoot visit book yes that's great steak a face up a little bit and show this to me shoulders more to me that's it that's my shot and look out this way this is my shot yeah where is a hair yes here down yes my mom this is my shot girl this is it yes I don't go down with it a little bit different so I'm looking at the zoo yes she's position really beautiful Wow pretty a beautiful beautiful beautiful Wow good yep so it's once we get we get dimension that was removed wide and wide so more like matching the colors was to try to get dimension and everything like this let's continue the problem most most photographers in the model they not listening carefully about this style most of the big magazine shoot they get a stylist and style it he's a king whatever he says you have to follow direction so you know the Styles photographer himself have to direct models and make a style possible otherwise these pictures never get published never don't get a little bit Jeanne's you get a wrinkle or have to get straight so have towards the outfeed photographer let me tell a couple more things and photography shooting the fashion have to watch not only model facial expression and background with watch the outfits or get line properly no wrinkles no like gems so otherwise it's going to be a really difficult to photoshop and instead of it like correction of the mouth softer hand so that's it yes beautiful now we're talking yes get you